Radiolette (Fret and Foot) 40A Ch =40

Amalgamated Wireless (Australasia) Ltd. (AWA); Sydney

Datos
Foro
Imágenes
Colecciones

  • Año
  • 1937
  • Categoría
  • Radio - o Sintonizador pasado WW2
  • Radiomuseum.org ID
  • 165123

Haga clic en la miniatura esquemática para solicitarlo como documento gratuito.

 Especificaciones técnicas

  • Numero de valvulas
  • 4
  • Principio principal
  • Superheterodino en general; ZF/IF 460 kHz; 2 Etapas de AF; Reflex
  • Número de circuitos sintonía
  • 7 Circuíto(s) AM
  • Gama de ondas
  • OM y OC
  • Tensión de funcionamiento
  • Red: Corriente continua (CC, inglés = DC) / 200-260 Volt
  • Altavoz
  • Altavoz electrodinámico (bobina de campo)
  • Material
  • Bakelita
  • de Radiomuseum.org
  • Modelo: Radiolette 40A Ch =40 - Amalgamated Wireless
  • Forma
  • Sobremesa alto de forma simple.
  • Ancho, altura, profundidad
  • 308 x 337 x 225 mm / 12.1 x 13.3 x 8.9 inch
  • Anotaciones

  • AWA produced a series of Bakelite, Fret and Foot radios in 1936 and 1937.

    Radiolette models R33, R33A, R35, R35A, R38A, R38B, R38C, R39A, R39B, R39C, R40A, R40B and R40C.

    The Model 40A was produced in Walnut Redelec with contrasting grained Ivory fret and feet.

    Same chassis as the Bandmaster model 547DD. 

    Fret and Foot was not the official AWA name for the classic Fisk Tombstone Radiolette but they are unique with a cabinet of a square block of Bakelite along Art Deco lines with curved edges which are complemented by a contrasting colour, Asian influenced speaker grill fret and Lion’s paws as feet.

    The unique design is a tribute to the Bakelite designer’s art of the era which made them very appealing to worldwide collectors

    They are now known colloquially as the AWA Radiolette, Fret and Foot series of radios

     

  • Precio durante el primer año
  • 21.00 Aus£
  • Referencia esquema
  • Australian Official Radio Service Manual Vol. I
  • Mencionado en
  • HRSA AWA Radiolettes 1932-1949
  • Autor
  • Modelo creado por Stuart Irwin. Ver en "Modificar Ficha" los participantes posteriores.

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